Poetry in Spaces of Recovery

  I love the photo above because you can’t tell which hand is mine. Just like if I was standing together with these women in the Magdalene house, a safe place for women recovering from addiction and a life in the sex trade, (whether being trafficked or deploying their labor …

The Birth of The Who Raised You? Podcast (Pt. 1)

I’m launching a podcast with my friend Karen Yang! (Video Below) Here’s a bit more about it: Who Raised You? Podcast is a kitchen table conversation between Karen (Jia Lian) Yang and Treasure Shields Redmond. Karen (she/her/they) is a 26 year-old bisexual 2nd generation Taiwanese American and a trained social …

Why A Black Woman Named Fannie Lou Hamer Matters Now More Than Ever (BONUS: Audio!)

Who was Fannie Lou Hamer? When one thinks of the millions of souls lost during the transatlantic slave trade, the missed potential immediately jumps to mind. All genocide robs us of the few geniuses that each culture produces.  At the beginning of the previous century the pernicious system named Jim …

TFW You Realize You’re In Love With Your Captor

Sometimes I feel as if black folk’s self-worth teeters on the impetuous and hateful razor’s edge of racist white institutions. Like the protagonist in Beauty and the Beast, we’ve fallen in love with our captor, and somehow it has become our responsibility to humanize him. I have now lived through …

5 LESSONS TEACHERS CAN LEARN FROM THE LIFE OF FANNIE LOU HAMER: #5.The Writing Classroom is Uniquely Suited for Finding Undiscovered Gems

In part four of this series – “Our Classrooms Benefit from the Voices of our Most Marginalized Students” — I discussed (partly) how valuable the “marginalized voices” are in our classrooms. But really, I was speaking to the notion that the “marginalized” is the majority. I encourage you to check …

The National Women’s March: Sisters, What Are You Willing To Destroy?

What follows are the remarks and the poem ("Oath: 1957") I delivered on Saturday, January 21, 2017 at the St. Louis arm of the National Women's March.

When I was first asked to participate in the national women's March, I declined because I thought it was just another example in the long line of examples of wrongheaded white feminism.

You see I knew the history, and I knew that the sorority of which I am a member, Delta Sigma Theta, marched with white suffragettes in 1913 as their first political act.


No sweeping feminist collaboration followed.


I knew that Fannie Lou Hamer, a fellow Mississippian and black woman, helped to found the National Women’s Political Caucus in 1971.


No sweeping feminist collaboration followed.


So when this march was proposed, the words of genius humorist, Moms Mabley rang in my head:


“If you see a fool. Bump his head. If you see a damn fool, bump it twice.”


You see, I’ve come to find the white feminist narrative of “equality” increasingly troubling.

When my ancestors walked off of plantations in order to join and the Civil War. They didn't walk off for equality. Slaves did not want to be equal enslavers. They wanted to disrupt a system.


So I ask you Sisters, what are you willing to disrupt?


When Trans women of color led the charge for our collective humanity at Stonewall, they didn’t want to be equal brutalizers, silencers and disappearers.


So I ask you Sisters, what are you willing to disavow?


When Native women led the fight for our life aka WATER, they didn’t want to be equal polluters.

So I ask you Sisters, what are you willing to destroy?


I’m going to leave you with a vision before I end with a poem:

It's a Monday morning and people are wiping sleep from their eyes. They go to the daycare and there are no women there to keep the babies. They go to the school and there are no teachers on the platform to teach the children. They go to enter a bus. No women are driving. They go to the financial district and no women are bartering and trading. Imagine the policies that we could influence if we withdrew ourselves in this way on a workday week?


So I ask you Sisters what are you willing to strike for?


all they saw
were the whites of her heels
winking back at them

her dark elbow
shoulder high

the wrench -- a blur
above her nappy plaits
as she whirled it
as if to wring its neck

as if to sanctify it

as if to show it to the ghosts
as proof of her oath: “i swear
‘fo god”

they say the sound
she made – more like warning
than a scream

slingshot soprano, returning
going away
like fingers
from cotton sack to row

they say the sound
was a choctaw vibrato,

water moccasin
across a clay bottom creek

wail rising
spine through skin
[you can wail here] “i swear ‘fo god”

they say the sound was a tearing/
birthing herself
breech, feet first
pulling the ankle
of her own twin soul
[you can moan here]

they say the sound was birthright/
takeback sound
[you can clap here]

the clap of a generation
righting itself

the sound she made as her yellow legs
carried her out of the screen door

away from the man
she thought she killed

away from the tableau
of 3 terrified colored babies

away from the dazed living room
away from the sound of a system’s head cracking open.

Sisters, what are you willing to destroy?

The Feminine Pronoun Series: Poetry. Pedagogy. Justice. (No. 30)


The tagline on my website for Feminine Pronoun Consultants, LLC is "Poetry. Pedagogy. Justice."

Those three powerful terms almost encompass my life/work philosophy. I say "almost" because Parenting is also a major part of my life's work, as it were, and each of the terms inform each other and take turns being the star, while others play the background.

Check this video out as a kind of year end round up and hopeful nod to a successful 2017!

The Feminine Pronoun Series No. 29: Old School #HipHop

I come to writing very honestly. Not only was my mother (rest in peace) a writer, but my father is a well-known poet and is currently poet laureate of his home town of East St. Louis, Illinois.

The first time my writing truly became public was in the 1990s as a signed hip-hop artist to MC Hammer's label, Bust It Records. My group, originally named the Sonic MC's, was discovered by MC Hammer in our hometown of Meridian, Mississippi. What followed was a brief career as a performing rap artist, and staff writer for acts such B. Angie B., Special Generation, and Oaktown's 357. That was 25 years ago, and I still have a deep and abiding love for hip-hop culture and the music in general.

A few months ago, my former partner, Terrence Davis, invited me to participate in a reunion performance. I tentatively accepted, and then tried to back out, because, for me, that time, brief as it was, doesn't always inspired the most positive feelings.

Like many naïve artists, our recording contract was a one-sided at best and a glorified sharecropper's agreement at worst. If people remember the infamy with which MC Hammer's business dealings tumbled from the top of the pop cultural mountain, then you might guess that there were some work culture issues in the company as well. Namely, a rampant sexism that, when I think back on it, I am surprised there weren't more lawsuits. On top of that, I did not have the most pleasurable recording experience, as we were encouraged to produce music that had a sound very similar to MC Hammer's.

My biggest objection however, was that the music simply didn't do well by industry standards. When the collective mind of hip-hop music lovers returns back to artists who made a impact with regard to innovation, popularity, and cultural zeitgeist, our music does not register.

As you can see, I had several reasons to refuse to participate in the reunion performance, but after some cajoling and realizing that I had tried to back out much too late for it to be fair, I agreed to join everyone of my former group members of the group that was subsequently renamed One Cause One Effect.

This vlog chronicles events directly proceeding, during, and after what turned out to be a fun and heartwarming gathering.


I offer two services: 1) I help the college bound teens of busy parents write extraordinary college entrance essays and 2) I provide perceptive leaders with trustworthy diversity and inclusion facilitation.  Let's connect at treasure@femininepronoun.com.  Also, there is bonus video of me reading "For Trayvon #BlackLivesMatter" at the Old School #HipHop concert here: https://youtu.be/GXYLEcrJ-KY



The Feminine Pronoun Series #25: Ferguson is Everywhere

In this episode I reflect on the impact of Michael Brown's murder and the Ferguson Uprising on my social justice advocacy, my writing, my teaching and my parenting.

An extra special thanks is owed to the ARTIVISTS and to Reverend Sekou and the Holy Ghost for the incredible song, "We Comin" that appears toward the end of this episode.

ARTIVISTS STL can be followed on twitter at @ArtivistsStl

Reverend Sekou and the Holy Ghost's music can be purchased at http://wearefarfetched.net/album/the-revolution-has-come


A Special FATHER’S DAY episode of the FEMININE PRONOUN Series (#19)

This is a "very special episode" of the FEMININE PRONOUN Series. Father's Day is coming up and I am the daughter of a Poet. Eugene B. Redmond is a foundational Black Arts Movement poet, professor emeritus, cultural griot, and author of Drumvoices: The Mission of Afro American Poetry. I may be biased, but he is also the CUTEST of the BAM poets, and the BEST smelling! I hope you all have an awesome father's day, and even if you've lost your dad, or you don't have a relationship with your dad, celebrate a step dad, an uncle, or even a little boy who you think is going to be a awesome father one day!