I have been collaborating with a Macedonian hiphop Dj and producer named Goce (pronounced GO SEE AH). He began to talk about why hip hop was resonant with him and Macedonian people. He sees hip hop as a dissident art, as he came into consciousness of it in 1989 when socially conscious groups like Public Enemy were popular. He explained that Macedonians has endured slavery under Turkish rule. He talked about the particular way the Turks stole and enslaved beautiful Macedonian women, and as a response, Macedonian men began to carve crosses into women’s foreheads so they would not be stolen by Turkish enslavers.
He saw himself as sharing the legacy of enslavement with black Americans. Goce also talked about how the lyrics of indigenous Macedonian music shared the characteristics of blues music.
These resonances gave me a lot to think about. Check out some video here: